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Bandō Minosuke as Soga no Gorō in Kotobuki Soga no Taimen. Photo: Shinoyama Kishin.
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This is the cover for the January 2022 issue of
Engekikai, the great kabuki magazine of
record that ends its remarkable well-over a century reign (it began as
Engei Gahō in 1909) this month (April
2020). (I have an advance copy but will wait to show its cover and contents following the arrival of the February and March issues, which are presently floating to me by sea mail.) It shows Bandō Minosuke II in the
aragoto
role of Soga no Gorō in the classic play
Kotobuki
Soga no Taimen at the Kabuki-za in November 2021. It was part of a memorial
program honoring the seventh anniversary of the death of Bandō Mitsugorō X,
Minosuke’s father. The issue’s main contents, as listed on the cover, include a
gallery of well over 100 photos of famous actors making their theatrical debuts
as children, covering the years from the Taishō (1912-1926) to Reiwa (2019- )
periods. Such photographic galleries are among the enormously valuable measures
by which this marvelous magazine has helped sustain kabuki theatre in modern
times.
Also in the issue, as noted at the top of the cover, are interviews
and conversations with actors participating in the recent annual kaomise performances at Kyoto’s Minami-za.
Participants are Kataoka Nizaemon, Nakamura Ganjirō, Nakamura Senjaku, Nakamura
Shikan, Kataoka Kōtarō, Matsumoto Kōshirō, and Kataoka Ainosuke. There also
are articles about the great actors Bandō Tamasaburō V and Onoe Kikugorō VII
regarding their December 2021 performances at the Kabuki-za. At the left of the
cover is mention of a kabuki calendar, which accompanied purchase of the issue,
showing the cover photos for each month of the previous year.
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