Kabuki
Woogie also posts monthly covers of tprhe kabuki magazine ENGEKIKAI, with
details on their contents, and, when available, essays by guest contributors,
including papers delivered at conferences and the like.
One can
poke around in its archives to find past posts.
The February 2020
issue (#2) of ENGEKIKAI, the kabuki magazine of record, is a pathbreaker,
showing not the usual traditional kabuki play but one of the increasingly common
productions that seek to take kabuki theatre into the 21st century
with stories and techniques inspired by the contemporary world. This movement,
born in the mid-1980s, when Ichikawa Ennosuke II created his lavish productions—half
Las Vegas spectacle, half kabuki conventions—has recently become a mini-flood
with leading actors vying for new and exciting ways to bring young audiences to
the theatre. A good recent discussion of the phen)omenon is
available here.
The cover, then, is
a photo of the December Kabuki-za production of the play whose 1984 anime
original, created by Hayao Miyazaki, is known in English as NAUSICÄA OF THE
VALLEY OF THE WIND (Kaze no Tani no Naushika). Starring as Naushika is the
kabuki actor Onoe Kikunosuke.
The headlines on the cover announce the issue’s major contents, beginning, at the upper left, with an article about performances judged by a roundtabe panel to be deserving of 2019’s Personal Favorite Kabuki Grand Prize (Kyokushiteki Kabuki Taishō). If anyone can offer a better version of this prize's name, please let me know on the Facebook kabuki page, or otherwise. Perhaps there's an official English name I'm not aware of.
The headlines on the cover announce the issue’s major contents, beginning, at the upper left, with an article about performances judged by a roundtabe panel to be deserving of 2019’s Personal Favorite Kabuki Grand Prize (Kyokushiteki Kabuki Taishō). If anyone can offer a better version of this prize's name, please let me know on the Facebook kabuki page, or otherwise. Perhaps there's an official English name I'm not aware of.
At the lower right we’re informed of an
article about Kataoka Nizaemon in the “Yoshidaya” scene of KURUWA BUNSHŌ, while
next to it is mentioned the latest installment of actor Matsumoto Kōshirō’s
ongoing series, “Kōshirō’s Thousand and One Nights.” This is followed by an
article on the recent production of KOMORI NO YASU-SAN, about a kabuki
adaptation of Charlie Chaplin’s 1931 film, CITY LIGHTS, in which a popular
kabuki character called “Bat Yasu” (Komori no Yasu-san), is converted to a
Japanese version of the character played by Chaplin (see the entry for last
month’s issue). Other articles are an interview with Kataoka Kamezō and an
introduction to the traditional kabuki play KEISEI YAMATO SŌJI. Finally, notice
is given of reviews for December productions at the Minami-za, the Kabuki-za,
the Kokuritsu Gekijō (National Theatre), Shinbashi Enbujō, and elsewhere.
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